5 Key Things You Need to Know While Photographing Corporate Events

Corporate event photography can be a daunting task, especially when people are networking and don’t want to be disturbed. Corporate events can be of various types – from conferences, and sales events to receptions and parties. The challenge lies in compelling coverage as poor coverage not only harms the brand identity but leads to poor networking too. While there are different ways to photograph corporate events, hiring professional event coverage services can help to get the job done professionally and flawlessly.

Whether you engage professionals or decide to do it yourself, here are some key things to know:

    • Have the right equipment: Corporate event photography doesn’t need lots of fancy equipment. Instead, it needs a perfect blend of the right gears. Usually, an external power flash with reflector or diffuser, full frame DSLR with a moderate range zoom, memory cards and spare batteries are good for the job. However, there are other details that need to be taken care of. If the event takes place in a large hall, a telephoto lens is a must. If it’s a compact venue, then a wide is essential. A second body camera is usually suggested for more serious event photography to avoid switching lenses regularly.
    • Study the location: Analyzing the lighting conditions and scouting the location play crucial roles in ensuring good event coverage. Before the event, visit the venue to get a clue if you’ll be dealing with minimal light indoors or plenty of light. In case you can’t visit the venue before the event, ensure to gather adequate information about the venue and lighting conditions from other sources.
    • Grab the best shots: When it comes to corporate event coverage, moments pass quickly. If you fail to adjust quickly, you’ll fail to have the shot. Remember to take care of the minute details and capture compelling shots. For instance, a wide aperture with fast shutter speed for the key speakers, or keeping the aperture small enough for group shots to keep everyone in focus can help.
    • Focus on shots for marketing: While it’s crucial to get shots of people having fun, it’s also crucial to have shots that can be used for marketing purposes. In this age of social media, businesses often share images of their corporate event coverage immediately. While focusing on the faces of attendees is positive and powerful, it’s also important to focus on abstract shots that can be used for branding and marketing purposes.
  • Quick edit, fast delivery: In today’s fast-paced life, businesses want a quick turnaround time. Once a couple of days are gone, the images become a little stale. And people move to the next events and lose interest in yesterday’s news. You should make sure that once the event is over, you edit the images taken and deliver them fast.

These key things play crucial roles in the success of corporate event photography. For an individual, handling a corporate event to ensure excellent shots and adequate coverage is often a tough task. With the help of professional event coverage services, you can make your next event a memorable and successful one sans the tension and headaches.

Best Video Settings for the Canon 2000D or Rebel T7 DSLR Camera

The first thing you need to do when you are going to shoot video with the Canon EOS 2000D / Rebel T7 DSLR camera is to move down the icons on the DIAL MODE to the video mode, which is the camera icon. That is because this is the only way that you can get into the video modes, and the only way that you can shoot video. When you do that you will hear the mirror inside the camera popping up. This enables the live view screen at the back of the camera. This is the only way that you can shoot video, you can’t look through the viewfinder and shoot video because you don’t actually see an image through the viewfinder. You only see it through the live view screen at the back. When you move it down to the video mode, it also gives you the video MENU TABS when you press the menu button. It reveals that you have four VIDEO TABS which are specifically for shooting video.

The first thing you do when you are in those tabs is to decide upon your VIDEO SYSTEM. The video systems refer to the kind of systems which televisions used in different countries. So, for example, in Europe predominantly the system was called PAL and in the United States predominantly it was NTSC. It is important to get them right for your national and geographic area because it changes the frame rate. Go into VIDEO TAB 2 and at the bottom is video system. Open that up by pressing SET then you will see that you only have two options NTSC or PAL.

After setting the video system the next thing you need to look at is VIDEO FRAME RATE AND SIZE. This camera is pretty good – it will shoot 1080 at 30 or 25 frames per second and it will shoot 720 at 60 or 50 frames per second. Now 1080 is full HD and 720 is standard HD and both are perfectly good for social media and even for showing on reasonably large screens. Go into VIDEO TAB 2 and look at the very top one – at MOVIE RECORDING SIZE – then you will have the choice of 1920×1080 at 25 frames per second, 1920×1080 at 24 frames per second – which is established as the film speed for cinematic videography and then 1280×720 at 50 and then 640×480 at 25. Now the 640×480 I wouldn’t bother with at all. It is so poor it is not worth looking at. But I would look at the 1080×25 and the 720×50. 25 frames a second is about the speed at which the human eye can detect movement and so that is the standard.

25 frames per second is reasonable quality video in terms of how the video will look. 50 frames a second looks a little bit smoother. Also shooting 50 frames per second means that you can use slow motion much more effectively. If you are on PAL your choices will be 25 frames and 50 frames per second. If you chose NTSC then the options you would have would be 30 frames a second and 60 frames a second. When you set the video systems they are the frame rates that change and they are really the only changes that there are, but it is a good idea I would say to shoot 1080×25 because you get the better frame quality if that is what you are looking for, or if you are looking for a certain smoothness or you want to do slow motion videography then shoot it 50 frames per second.

The third thing you need to look at is MOVIE EXPOSURE. When you are shooting stills you have an enormous choice for the exposure settings and the types of stills that you are going to shoot. So you go from MANUAL which doesn’t set the exposure at all you are responsible for exposure – through the semi-automatic and then the completely automatic settings, here where the camera decides what the exposure should be and then sets the parameters accordingly. When you are shooting video you have only two choices. You have either automatic or you have manual. Where you make that choice is in VIDEO TAB 1 at the top which is MOVIE EXPOSURE. Now if you choose Auto this camera will take actually very good video it will decide the settings that are essentially the same as stills – ISO, shutter speed and aperture – and the camera will produce very well exposed video. But if you want to be a little more creative, then you can choose manual.

The next thing you need to think about when you are shooting videos with this camera is sound. Deciding on how you record sound is very important. Now if we go into the menus again and go to VIDEO TAB 2 then just below movie recording size you have SOUND RECORDING and if you click on there you have three options. The first option is disable. Now I don’t recommend that you disable sound entirely even if you have decided that you are not going to have any of the sound from the video in your final edit. This is because audio is useful when you are identifying clips. The other two choices are either AUTO or MANUAL. The auto recording on this camera is actually pretty good. The downside of it is that because it is automatic and it doesn’t know what sounds you are particularly trying to record it will pick up a lot of ambient sound. Now if you are shooting something which has ambient sound in it then that is not a problem. But if you just want to pick up some specific sound like somebody talking then Auto may not be the right setting for you in which case you want to come down to MANUAL. Manual setting allows you to set the sound recording level so that the sound that you are trying to record is the sound that this camera picks up. So you need to decide whether to set manual or whether to set Auto.

The next thing you may want to look at is the autofocus method. The Canon T7 has two auto focus methods if you are looking through the viewfinder then the system here is very quick and very sharp. If you are looking through LiveView screen then it is a little bit slower but you do get some choices and we can look at them here. So if you look on menu then if you look at VIDEO TAB 1 and down to AF METHOD then you can see the choices that you have here you have three choices you have flexizone, live mode and quick mode. Flexizone is the same as single AF method through the viewfinder which means that if you press the shutter button halfway down then the camera will focus, and the good thing about this is that you can be shooting live video and you can do that and it will still focus which is pretty good. The next one down from that is called live mode and the advantage of that is that it has facial recognition within it which means that if you are videoing people then it will automatically try to focus on one of the faces that is in the frame and that is pretty good and pretty useful but again in order to do so you need to press the shutter button. The third one is quick mode. Now this doesn’t really work as well though it is designed to it is called quick mode because what it does is it comes out of video mode, goes into the viewfinder mode, focuses and then bounces back into video mode again. So evidently you can’t shoot video and use quick mode at the same time so it is not really as useful for videoing as one might think although it may be slightly quicker it does stop the video in process and it does mean that you have to restart the video again, but I would use flexizone for pretty much everything because even if you have faces in the frame it’s up to you to decide what you want to focus on you may want want to focus on the face you may want to focus on something else and if when you are in live mode there are no faces then it does revert to flexizone anyway. But those are the AF options that you have in Live View and they are the AF options you have for shooting video.

The next thing you might want to look at is picture style. If you have shot stills with this camera already you may well be aware of the option for picture styles and these can increase the contrast, boost saturation and make your images or punchy a more vivid or they can desaturate your images and in one case make your picture entirely monochrome. Well the same options apply for video and you might be inclined as you perhaps do with your picture styles for still is to leave it on auto but I would recommend that you actually change is so that it is in neutral. So if we go into the menus and into VIDEO TAB 3 at the bottom of that you will see the option for PICTURE STYLE and you will also see that it has all the same options as you have stills so at the top it has Auto and then standard and portrait, etc. and as I say I would choose NEUTRAL. The reason for that is that when you are shooting video you want it as flat as possible with no over saturation no over contrast, nothing that will actually make editing that video more difficult. You can add saturation when you are editing you can add contrast when you are editing but you can’t really take out those things very easily – certainly not as easily as when you are using stills because you are dealing with large amounts of information and 25 or 50 frames per second. So the objective really is to produce really flat video and then add your style when you are producing your video in the Edit.

Finally the thing I always look at when I am shooting my videos is white balance. If youa re shooting in a single location you might be happy just to leave it on auto and the auto white balance on this camera is very good and there is no reason really to want to change it but if you are shooting in different locations where the lighting might be slightly different and the color contrast and the color tones might be slightly different, then it is recommended really to set the white balance at every location and the reason for that is you want a continuity through your video so that you don’t move from one location to another and the lighting looks completely different. The option to change your custom white balance is in menus and if you go to the SHOOTING TAB 3 then above picture style you can click on that and get the option to change white balance it is not very difficult. It is fairly straightforward if you buy the manual then I will show you exactly how to do it but I would recommend as I say if you’re changing location frequently when you’re shooting video to change that white balance and set that white balance on every occasion when you change location if you want to know more they might not take a look at our manual which has been specially written for this camera in fact we’re giving away a sample of our manual absolutely free it contains 2 full course videos including the full video on shooting movies with the rebel t7 all you have to do is click on the link here or in the description below and we’ll send it to you straight away absolutely free. These are the best video settings for the Canon EOS 2000D/ Rebel T7.

Professional Tips for Taking and Editing Baby Pictures

Every photographer knows that old saying – never work with children or animals. They’re impossible to manage and they’ll always find new and creative ways to ruin your shot. So, taking a nice baby picture can take a lot of effort and time. What’s more, post-processing is painstaking work and many photographers dislike it. However, baby photography doesn’t have to be so difficult and time-consuming. To ease the whole process, here are some useful tips on how to take and edit great baby photos.

Tips for Taking Baby Pictures

First, let’s talk about several ways in which you can take better photos of your baby.

  • Choose a Great Pose

By placing the baby in a cute or interesting pose, you can take a much better shot. Try to capture the baby in a natural and comfortable pose, such has when she’s sleeping or laughing. Also, always make the baby’s face the main point of interest of your composition. The face holds all her character and emotions so it makes your picture much more powerful.

  • Make Use of Props

Props are an exciting and creative way to take innovative and unique pictures. By placing the baby in a basket or by dressing it up in a fun costume, you can add freshness and interest to a picture. When it comes to props, you can try to think outside the box and come up with something that is both suitable for the situation and never seen before.

  • Pay Attention to Light

Lighting is everything in photography. The word “photography” itself means “writing with light”. When taking baby pictures, soft light is very pleasing to the eye and appropriate in terms of composition. Babies are gentle and fragile, so the light should reflect that. Sharp contrast and strong shadows may work elsewhere, but for baby photos, the softer the light the better.

  • Location, Location, Location

Depending on the time of year and on the purpose, baby photos can be taken both indoors and outdoors. Indoors are better for making the most of your props and being creative with the pose. However, the outdoors offer variety in terms of the background and make the shot more aesthetically pleasing.

  • Include the Parents in the Shot

When including the parents, it is important to really show the parent-child connection. Again, the pose is here very important. Try to emphasize the contrast of size between the baby and the parent, or try to place them in a nurturing and protective pose.

Tips for Editing Baby Pictures

After you have come up with many great baby photo ideas and finished the shooting, it is now necessary to edit the pictures with Movavi to make the best of them.

  • Removing the Background

If, for some reason, you are unhappy with the background, you can easily remove it using a photo editor. A good editor is the photographer’s best friend – it offers endless possibilities. After you have removed the unwanted background, you can replace it with something more appealing or suitable.

  • Captions and Filters

Professional Tips for Taking and Editing Baby Pictures -2Filters can add depth and interest to a photo. By selecting a filter that adds softness, you can emphasize the subject – the baby. What’s more, when you add caption to image, you can easily tell the story behind the picture. Your captions it can be something as short as a single word or a complete sentence.

  • Retouch the Photos

Retouching is another important step in editing. By correcting the white balance and colors, you can make the photo even more striking. There is no need to spend hours retouching pictures – photo editing software usually comes with some built-in presets. So, if there is little time for editing, just select the best preset for the picture you are working on.

  • Cropping the Photo

When taking and editing a photo, we should try to keep to the rule of thirds. The rule tells us where we should place the subject to make the composition better. By following this rule, we make sure our subject shines. Cropping the photo in post-production to adhere to this rule is sometimes necessary, but do try not to crop too much.

  • Effects

Editing software often also comes with some effects that can be added to a photo. Effects can be used to bring attention to the subject, and they can also add some flair to the photo. However, choose the effects carefully and always follow the rule – less is more. Too many effects can affect the composition badly.

Tips for Shooting Interiors

Tip 1: You need a good digital camera with a tripod. When photographing an interior, you want to make sure that everything is clear and sharp. I use F11 (aperture) and 1/2 second (ISO 200) in most cases. Sometimes if you want to get a blurred background on a close-up shot, then you will want to shoot with a wider aperture, or the smallest f-stop your camera will allow (e.g. F1.8).

Tip 2: Use a wide angle lens. Shooting wide can make the room look great, especially when in Hong Kong, the size of the property is most likely less than 100 sq. meters. In a confined space, sitting tight into one corner while you try to get the other three corners in just looks wrong. You shouldn’t shoot all three walls into one picture. Showing the highlights of the interior design features is important. About the lens, anything in the 16-24mm range on full frame (or the APS-C equivalent which equates to 10-16mm approx. on some less expensive camera) is great. I often use 17mm full frame for my wide interior work.

Tip 3: Sufficient indoor and natural lighting are both important. Light up the room. If there is good natural light coming through the windows, use that as well. Adjust the overall feeling of the lighting to a balanced and optimized level.

Tip 4: Find the best angle. Take time to explore different angles to shoot from. Decorate the room with small artistic items, plants or anything you like to add a bit of creativity. We can’t all afford a tilt-shift lens to keep perspective in check, so it’s a really good idea to shoot with the camera at or slightly above mid-room height. This means you can keep the camera aimed out straight to keep the walls vertical. While the perspective distortion you get can be corrected in post-production, it’s much easier to get it right in camera. This is another reason to use a tripod as well.

Tip 5: Use post-processing software, e.g. Photoshop or Lightroom. You should bring the Highlights down and open up the Shadows. Next bring the Blacks down to ensure that the contrast lost from opening up the Shadows doesn’t impact the image too much.

Tip 6: Go vertical for staircases and other special feature. This is also important if you want to share the pictures on the web, as most images are horizontal in the interior photography world. Some vertical images could light up your portfolio. Verticals usually mean letting the eye fill in gaps, so make use of the composition to show hints of the room.

Five Simple Steps To Becoming A Photography Hobbyist

In today’s age of smart phones that make your office fit in your pocket, it has become more crucial than ever before to learn to take a break from your work and de-stress. Fortunately, the same technology is also bringing to your pockets, a hobby that was once considered prohibitively expensive; Photography. Smart phones today come equipped with cameras that are capable of shooting high definition photos and videos, making it easier for anyone with a good phone to give Photography a good thought. Almost everyone will agree that you definitely need to have an eye for it and the desire to explore your talent further but if you think you have that, adopting photography as a hobby may require only a few simple steps.

1. Pick Your Partner: If you really wish to give it a shot, get yourself acquainted with the various devices available to you. Check your budget range and pick a camera or a smart phone that you think suits you the best. Put in a few hours of research and find yourself a device that is not only good to begin with but also decent enough to take you a little beyond just the ‘beginner’ level.

2. Develop An ‘Eye’: The mark of a good photographer is often the uniqueness of their perspective. Try to gain that unique perspective on your surroundings and capture it on film. Take pictures of the ordinary, the mundane and see how you can bring a new dimension to them.

3. Take Pictures Even If You Don’t Want To: Be consistent. It is easy to indulge yourself with a new camera and play with photography for a little while before getting distracted. Remain focused. Try to take pictures even when you aren’t in the mood. Any hobby, any talent needs to be hewn into perfection with constant practice and patience.

4. Experiment: Try everything that you can do with your camera. Use the different settings for the same picture and observe the differences. Learn to use software applications to enhance your pictures after you have taken them to bring out certain elements. The more you experiment, the more you learn.

5. Share And Take Advice: Make it a habit to share your work with better photographers and ask them what they think, work on the feedback they give you to improve your skill learn more by observing their work.

A good camera and a little practice could make photography the hobby that you’ve always wanted to have. Not only does it provide creative release, it is also an evolved form of expression that could bring out a side of you even you didn’t know you had. Take it one day at a time and see if your lens indeed becomes a new friend to you.

What Is Industrial Photography and Why Is It Important?

What is Industrial photography and why is it important?

In the world of business today photography is worth a million words. Everything from websites to brochures and television advertisements rely on high quality pictures to get a business’s message across. Industrial photography is a specialized field of photography which makes it possible for businesses to communicate with customers and other businesses showcasing their industrial process, machines, and techniques. The photographs not only need to be shiny with balanced hues and highlights but also need to effectively communicate the meaning of the photograph in less in a second. This is why these types of photographs require a skilled photographer with years of experience photographing industrial machinery, locations and manufacturing processes.

The importance of an industrial photographer

An expert will be able to take photographs which are interesting and showcase everything you want from every angle leaving no questions in the mind of the person looking at the photograph. He or she should have an eye for detail and be able to generate interest out of everyday / normal machines. This means that the photos need to be more like a piece of art rather than just specialized images. For instance an expert will photograph an everyday, regular and ordinary conveyor belt in a way which would generate interest by highlighting specific areas and blurring out the background. These images when laid out on commercial advertising material like a brochure or a PowerPoint presentation will tell the story of the process.

Enhancing your online image

Apart from physical posters and brochures the right images will enhance your professional image online. A website displaying top notch photographs of every industrial process the business is involved in will add credibility and interest in the mind of the viewer. This in turn will help a business earn a lead, sell a product or be able to improve its image as a business online. Photography of machines and processes for each medium i.e. internet and print is slightly different. It requires a slightly different approach but an expert with years of experience will know which approach to take in order to ensure that the pictures communicate exactly what the business needs to get the desired result. This is why it is important for business owners to hire photographers who have experience and with a diverse portfolio.

Hiring an industrial photographer

Industrial photography is serious business and so you shouldn’t leave it to an amateur to do the job and expect great results. Always look through a photographer’s portfolio to make sure that he has taken great photographs in the past. Ideally, he should have a diverse portfolio which would then mean that he is able to take photographs for both your website and print campaign.

Commercial Photography Tips – How To Capture Objects In Details

Why is detailing required at all when the large visual is there to say it all?

Sometimes it is not the bigger picture but the detail that attracts the viewer. In case of e-commerce the proof of the proverbial pudding lies in the small detailing. That spells clarity on screen shots. And that’s how the shutterbugs remain in demanding business today. The boom in e-commerce has fetched up the question of small details, which is still the forte of only expert professionals. It is the fine nuances that make the picture worthy of the shot. One of the hidden aspects of commercial photography is to present any object in most realistic manner. For that perspective what better options than to go for details- it makes the image look natural and allures the buyers who may be subconsciously motivated by the beautiful presentation of the finer details.

Since customers cannot view the products physically, it is a huge responsibility to present every possible detail concerning the product. It is part of the process by which a customer gets acquainted to a product before it is delivered. When the image and the real thing have almost no dissimilarity, the bridge of trust gets stronger and business grows. Realizing the importance of presenting authentic details may be crucial to the success of any online vendor.

With that crops up the question how to capture details of an object?

This two step job also requires the availability of right camera, lens, studio and a lot of other technical faculties and tactics. A product photography studio comes with all the facilities. The advertising photographers are constantly working on new techniques to take the best shot. Even after the invention of some of best lenses and cameras many commercial photographers opine that capturing of details is more about lighting properly. The straight from the top shot is a classical light setup. This with a combination of Soft gradient from the top and hard on the bottom, with the strip box through the diffuser and bare strip box, below the camera in front, respectively.

But how can some objects like cosmetic brushes or watch dials be shot with details. The correct use of lens with the ideal zoom can be applied. An alternate method could be to shoot the objects from 20-30 degree angle. The lighting must be arranged accordingly. Keeping the light from the top diffuser unchanged, it brings out even smallest details finely. This setting is perfect for product image of things like brushes. It helps to capture the brush hair in its original tone as opposed to its darker tone

Capturing the details of objects in commercial photography also include some other elements. For example how can one focus on the bricks while showing the interiors of a home? This is also a party of commercial product photography. The depth and also the variant of the atmosphere support the detailing. This helps to capture the best elements of the snapshot. The light even if it is controlled should flow seamlessly. It should to look contrived and generated. If it does the viewer gets distracted from the main theme.

The Importance of Film Photography in a Digital Age

For the average family, a digital camera has become an essential item to record special moments throughout their lives together. Photography has drastically changed over the last few decades, and many of us who still remember the days of traditional film cameras that had to have pictures developed at the local pharmacy might be amazed by how quickly digital cameras took the stage.

And there’s a reason why: compared to traditional photography, digital photographs are easier to print out, sometimes off much higher resolution and photo quality, and can store more pictures than their traditional film camera ancestors could.

Still, there are many photographers, both amateur and professional, who haven’t abandoned traditional film photography or old-fashioned cameras. For them, the simplicity of the cameras and the photos, and the greater care it takes to develop the pictures, makes the process more therapeutic and artful. Particularly for photographers who still use their own darkrooms to develop their photos, traditional film cameras are a hobby that they would never give up for the relative ease of digital cameras.

Regardless of how much technology advances, there will always be people who still appreciate the simplicity of yesterday’s methods.

Using a traditional film camera, especially varieties that are many decades old, requires much more patience, diligence and care, especially when developing your own pictures. And for many photo enthusiasts who learned their craft with older equipment, the comfort of a familiar camera and the process of developing the film themselves can be therapeutic. Just as many people who own a dishwasher still wash dishes by hand because they find it relaxing or meditative, developing your own photos can be a very unique and calming experience.

And the fact that not just anyone can do it, and that it is a skill that must be developed with practice, makes it that much more rewarding.

Interestingly enough, there are still lots of families who go to amusement parks and pay to have their photos taken in an “old-fashioned” manner, with grainy black-and-white prints for novelty and fun. They even sometimes go so far as to dress in clothes from the nineteenth century to make it look more authentic. Ironically, though, most of these novelty old-fashioned photos are taken with modern digital cameras, then altered to appear authentically antiquated.

Understanding why some families find it fun to get their pictures taken in an old-fashioned manner can help you understand why some enthusiasts love collecting antique photo equipment and using the genuine, original camera to take their own old-fashioned pictures. Photography was one of the greatest innovations in human history, and being able to own a piece of that history is an important hobby for many antique collectors and photographers.

So the next time you think that digital cameras have made old-fashioned film photography obsolete and unnecessary, consider the many hobbyists and photographers who still take great pleasure in using and collecting traditional equipment. And if you’re an aspiring photographer yourself, you might want to try ditching the digital camera for a few weeks and have an old pro teach you a thing or two about film and darkrooms.

How Digital Technology Has Changed Photography

Photography has always been a part of our lives. It has helped people capture precious memories – both the good and the bad. Through the years, photography equipment and techniques have evolved to become its own art form. Technology continues to evolve, constantly changing the landscape in which a professional photographer works his trade. Here is a short background on the topic:

What is Digital Technology?

It is usually defined as any system using parts that make use of binary or digital logic which is 1 or 0. If your tool or equipment has a micro controller or a processor inside of it, or if it uses storage and a software program that can perform even simple decision making, that means the equipment you are using benefits from digital technology.

What is Digital Photography?

In simple terms, it means using photography to capture images using digital technology. In the past, photographic film was the main ingredient for photography. But through progress and development, photography has taken the next level in its evolution by utilizing digital technology. With digital technology, you can print, store, display and do so much more with your pictures than you ever thought possible! You can use your equipment to store the images or, if you have a computer, you have the ability to transfer and store your photos onto your computer’s hard drive.

With digital technology stepping in, it certainly has changed traditional photography in so many ways.

• With this technology, you won’t need to purchase film anymore. It has the ability for you to review the shot taken and if you don’t like how it was taken, you can always capture the image over again. This helps save money because there is no waste of a negative.

• The storage capacity for digital technology is enormous – you can easily store your pictures and keep your lovely memories for as long as you wish. Traditional photography, on the other hand, can not do this and you will have to pay more to have them printed.

• Digital photography allows you to print them as well, if you want. If you don’t want to print your digital images, simply delete them or store them in your computer for future use.

• Digital technology allows you to review and edit your images almost instantly after the image is captured. Traditional photography requires many more stages before the image can be reviewed and edited, and each stage costs additional time and money.

• With digital technology, you can perform enhancements and add information on the picture such as added text or even the date. This process can usually be performed within the camera itself.

• ISO speed settings are easier to change. In fact, all film settings are much easier to adjust and set on a digital camera compared with a traditional film camera.

• It saves time and enables a faster turn-around on investment when shooting for a client, since the traditional ways of photography took more time to show the customers the image results.

• The cameras used lately are a bit smaller much easier to carry around. They are handy and not bulky.

• There are digital photo printers and computers that are available almost everywhere. These eliminate the cost of expensive processing equipment – dark rooms are now a thing of the past.

Those are just some of the changes digital technology has made in the photography industry. If you want to learn more, visit your local digital camera shop and ask some questions. Make sure you visit a store that was designed with professional photographers in mind – the salespeople there will be much more knowledgeable than your local clerk at a typical chain store.